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ROAD TRIP!
After a
brief San Jose concert shmooze and decompress in the Hotel DeAnza lobby, Churchmouse,
Surf4Sue and I strolled back to my car to take off for Anaheim. We
were going to -- what else? -- FOLLOW THE BUSES. We drove over to the back
of the arena where the buses should be coming out. We thought we had time. My
first inkling was as we turned the corner to go to the back of the arena; the
fans had already dispersed. Not a good sign. The security gates were
wide open and the enormous semis
that haul the stage equipment were lined up on each side of the street. We
hailed a group of fans walking away, and, sure enough, we'd missed them!
The buses had left five or ten minutes earlier. Well,
how hard could this be? There's only one way from San Jose to LA! So
we maneuvered our way to a freeway ramp, and roared off into the night.
They could only have at most a fifteen-minute head start on us; spotlightnobodycanoutrunmelover's
on the case! After
thirty minutes on Highway 101 at (mumble, mumble) miles an hour, and then
another thirty minutes negotiating a two-lane road over Pacheco Pass to I-5, it
was clear we weren't going to find them. At that point we hatched a theory
that they were not driving the Idols to LA, but took them to the airport to
fly! Yeah, that's it! So we cursed our bad bus karma once again, and
settled in for the long drive. I
made a brief stop after we reached I-5. As I was reaching down to tie the
lace on my lead-footed sneaker, suddenly I was grabbed from behind, shoved
inside a pillowcase, and duct-taped into submission. Mmmmph phmmm rrrrrmmm
MMMMMPHHH!! Unceremoniously tossed into my own back seat like a sack of
day-old Krispy Kremes, I was imprisoned for the next several hours. If
you didn't like my driving, all you had to do was SAY SO!! Hmmmmph! After
being released somewhere south of the grapevine (because I threatened to pee in
the back seat on Churchmouse's jacket), we made our way to the outskirts
of Anaheim. Just as we started seeing signs for Disney-this and Disney-that, my cell
phone chortled TITN. It was Bina, traveling with agape and Maggie. "EEEEEEEE!!
We just caught up to the BUSES!" They had been behind us
all the time. "Where's
that map?" "Turn on the LIGHT!" "Where
are you, Bina?" "We're
IN BETWEEN the buses!" "What
EXIT, dammit?" "Uh...coming
up is...La Palma?" "Where
are WE? How far back are they? Should we slow down? Or pull
off?" Surf4Sue
briefly considers a U-turn in the middle of I-5 -- it was 5 a.m., after all --
but decides against it. (And they complain about MY driving.) We
slow to a 40 mph crawl on the Santa Ana Freeway. Hitchhikers are passing
us. "Wait,
that's way over HERE! They're not on I-5, they're on 91!"
"How could they be on 91?" "No, look up here!"
"Where are my damn glasses? Why do maps have such f**king tiny
print?" "Let's turn around and go back to meet them!" So
we do. "Guys,
they're getting off! They're getting OFF!" "Where?
WHERE?!?!" "Exit
117. EXIT 117!" "Damn
map - no exit numbers. WE NEED A STREET NAME!" "Uh..wait
a minute..." (sounds of scuffling, discussion) "Okay,
there's a Subway...and a Texaco station..." (I'm
grinding my teeth at this point) "Okay,
STANTON! And Artesia Boulevard!" "Where
the f**k is that? Where are WE? Have we passed it yet? WAIT, I
SEE A TEXACO, GET OFF HERE!!" "Where? I don't see
one?" "That was the wrong exit!" "How do we get
back on now?" "DAMN!!" "Guys,
they're stopped for GAS!!" "Okay,
this is good, this is GOOD, it will take a while to fill those big buses!
We can do this!" Several
U-turns and "discussions" later, we actually DID find the correct
Texaco station! The buses were guzzling diesel in a truck stop which had
a small store. Bina was parked on the opposite side of the store,
in the faaar end of the parking area, under all the lights. Not at all
obvious. Unh-huh. We parked near the store and went inside for a
quick surveillance and a potty stop, then walked to Bina's car. At
first she wouldn't roll down the windows. Just
then we saw one of the buses start to move. "EEEEEEE! They're
leaving!" Surf4Sue sprints (not easy in flip-flops) back to
the car and Churchmouse and I follow. Bina is horrified,
sure we've been spotted. Sue whips out of the parking place and pull up to a light at the
station exit, ready to rumble. Unfortunately, the light is red, the buses
all pass us going to our left, and we're stuck at the light. After a
frustrating minute, it occurs to our sleep-deprived brains that (a) it's five in
the morning, (b) there's nobody else there, and (c) if ever there was a time to
run a light this was it. So out we roar. Bina had pulled out
on a different side street. Now
there will be some disagreement as to this next point. I DISTINCTLY saw
the buses go under an overpass and turn to the LEFT. Churchmouse,
who has the sense of direction of a homing pigeon raised on crack, swears they
turned RIGHT. At any rate, we attempted to follow and found ourselves on a
wide, empty boulevard with nothing in sight for miles. WHERE DID THEY
GO?!?! We
backtracked and found a freeway entrance we'd missed, right under the overpass,
a sharp u-turn. THEY MUST HAVE GONE THERE! After ten minutes
charging down an empty freeway, we realized we had been foiled again. NASA
had no doubt developed a Cloaking Device (or is that Clacking Device?) just for
the American Idol buses to foil Clay fans. So
we continued on our way to the exit for our hotel, pooped and discouraged.
The cell phone rings again. "OK,
you guys, I'm looking at the buses RIGHT NOW. They pulled into the
HOTEL." "WHERE?
What hotel?" (pause)
"I'm not going to tell you." The
ensuing conversation is best described as (expletive deleted). She
wouldn't tell. We pouted and hung up and went to our hotel. I
was not present to witness the next part, but suffice it to say that Bina
continued to withhold prime information, AND drove Faye Parker out of our hotel
where she was supposed to stay! A contract hit is being negotiated. Despite
this outrageous betrayal of PRoC loyalty, Churchmouse
managed to find out through other nefarious means that the Idols were registered at the
Doubletree. Armed
with this useless but somehow vital-to-have information, we went up to our room
and collapsed for two hours of restless exhaustion. I plopped my Aerobed
on the floor and inflated it, but Surf4Sue promised not to bite or thrash
too much, so I gave the nice beddy-bye a try and decided I could sleep with
her. I mean, she's not CLAY, but she's still a looker, y'know? Awakening
again all too soon, we debated weakly the merits of spending the day in the
Doubletree lobby. Just to see Bina's face if she showed up
there. We debated this while lying down. A lot. Finally, ten
minutes before the free breakfast ended, we decided on food. We met Clay
fans in the hotel restaurant. Red shirts everywhere. Duh. I
was barely functioning, so I opted for another nap while Sue and Mouse
went shopping. They returned with fresh EW magazines and posterboard.
They made signs. I doused my head under a faucet. It didn't
help. I'm too old to stay up all night. Even for Clay. Finally
it was time to head for the gathering. There were several different
affairs being held; we opted for a smaller PRoC gathering at El Torito,
organized by the lovely Placebo Effect. I reunited with PermaSwooned
and Mr.Swooned and met DaughterSwooned. ncgurrl and Bina
made more signs. brahmasatan regaled. We ate. We
talked, I'm sure. I was borderline comatose. Goood Baby Brush
picked my head up when it banged against the table.
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Placebo
Effect administered LadyPBnJ's trivia quiz. Then I got a
stalker award for going to seven concerts. It consisted of:
Very
clever, P.E. I will especially treasure Bob. I
beat my husband with Bob when he made a gay joke. |
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The
Concert
We drove
back to park at the hotel just across from the venue, giving Goood Baby Brush
a ride. We walked across the street admiring the Clay garb, Clay signs,
Clay hats, Clay, Clay, CLAY. I had this brief narcoleptic vision that
Claypod-people had taken over the world.
Arrowhead
Pond was metal detector-city. But they didn't seem to care about the plate
in my head, so we went in. Our group was spread all over the place, so we
separated to our various locations. Sue and I were in the lower-level
section near the left side of the stage. MrsLoki spotted us from
two rows up and came over to chat; ncgurrl was just below us. We
had brought the "These Girls are YOURS" banner from San Jose and
quickly recruited the rest of our Clay-row to hold it up at the appointed time.
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rows below us, I spotted a PRoC shirt and the sign, "Husbands for
Clay". This turned out to be Artquest and hubby; we
chatted for a while until it was showtime.
I saw the famous
"panty altar" for the first time, hanging on the edge of the
stage. My leopard-panties from the San Jose panty-string were hanging
proudly near the middle. I was fulfilled. I was happy.
I am a panty-famewhore.
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Here
come the AI clips, here come the screams. My favorite part. I
started to wake up a little with the anticipation. Sue was jazzed, this was her second
and last time at bat.
I
thought our seats would have a pretty good view, but nobody informed the Jumbotron
cameraman. He had a lovely butt, but (!) it really wasn't what I came to see!
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The
opening acts passed in a haze. Or rather, I watched them in a haze.
We sure weren't in the front row this time, and I missed it and I was
sleep-deprived. Finally it
was That Time. For the first time in seven concerts, I was ABOVE the level
of the stage. We watched the center platform lower as Kimberley introduced
Clay. We saw the microphone appear to levitate itself into place.
And then, as the opening notes of TITN played, that hedgehog-head suddenly popped up as he stepped quickly into place and
the platform began to rise. And the shrieks rose with it. Ho, hum,
just another night at The Clay Show.
He
was gorgeous, he sang purty, Shift-F1. After TITN he looked around for a long time to find
his mom and introduce her. He got mouse ears thrown onstage and put them on, saying,
"As if my ears weren't big enough already." He took them off
quickly, always conscious of the hair. He said nice things about the
audience and the tour and the crew and Ruben. And then I napped a
bit.
At
intermission I whined to everyone in sight about the cameraman situation. Sue
slapped me a couple of times and told me to suck it up. I gave up on
getting good photos due to angle and distance. Act II began.
The
performers were a bit different in Anaheim; as Sue has reported, they
seemed to be more interested in performing for each other. It was their
farewell performance, and they were having extra fun with each other
onstage. The crew got into the act a bit too; on the Bee Gees medley, the
giant disco ball, usually suspended high above the stage, was lowered to within
a couple of feet of the performer's heads. When Clay and the others rose
up on the center platform, he almost couldn't sing for
laughing about the surprise. Clay made a great show of "ducking"
underneath it during the number, even though it handily cleared even his 73
inches. (Shut UP, Brandi!)
Before
TGIM there was the usual rain of panties and other gifts. After the
audience finished their barrage, a crew member dropped from above the entire
collection of underwear thrown during the tour; it was an impressive pile and I
was proud to have done my part. Clay laughed and laughed. Clay and
Ruben skipped the whole intro to TGIM and just went right into the song.
We held up our "Girls are Yours" banner, and while I'm sure Clay saw
it (how could he NOT?), he chose to ignore it this time. We'd had our
moment in the sun. But of course, the sign did catch the notice of that
lovely, sweet reviewer who mentioned us. Dormant sexuality, indeed. Hmph.
The
rest of the show is a bit of a blur. It was all good, they were all good, but it
didn't seem to have the same energy as San Jose or even Sacramento, and the performers
were definitely into mostly sharing it with each other onstage. There were
many, many long thank-you speeches, meaningless to the audience, many crew and staff members mentioned by
name. Debra Byrd and Michael Orland were introduced from the
audience. It seemed a bit like the closing night of a high-school production, not a professional
tour. For those seeing their only concert in Anaheim, I felt they were
cheated a bit. But for me the idea was to be there, to see it all come full
circle.
The
great shirt-unbuttoning has been fully discussed and documented; I'm so glad I
was there to see it. Clay thinks he's going to give us this little tease,
flip one button open, be all in control, and then KimberMe just rips his shirt
from stem to stern;
we owe her big-time for this one.
There
was one moment at Anaheim which ranks among my all-time favorites. Clay,
Kim and Ruben were being lowered on the center platform; it must have been at
the end of the show but I'm not sure. Ruben goe into his
mock-rabbit-punching-Clay routine, Kim acts as if she's breaking it up.
Clay actually throws a BIG punch right into Ruben's stomach! If it was an
act, it sure looked real! In my projecting little imagination, that was
"Take THAT for stealing my title!"
Invisible
was hot. Invisible was always hot. GBTUSA was more emotional for us than
for them, they looked truly joyous singing it and listening to the LOUD audience
singing. I think they were all very happy to be moving on, to get some
rest from this exciting but grueling life on the road. As the performers left the
stage for the last time and the curtain closed and the music faded, Sue and
I cheered and cried and hugged; we simultaneously mourned and celebrated the end
of The Summer of Clay.
We
waited for our group outside the Pond. Two very young girls in mouse
ears walked by; one was wearing a PRoC shirt, so I called out to her. We
introduced ourselves with our board names; the PRoC girl's board name was LuckyCharm
and she was the one who threw Clay the mouse ears. The girls were very shy
so the conversation died and they wandered away. Sue and I stood for a
little while longer, observing the crowd, when the girls came back.
"I just love your recaps," said LuckyCharm timidly.
I laughed and thanked her sweetly, and they left again. What a hoot to be
the infamous spotlightlover.
I
was dead on my feet but reluctant to have it all end. We hooked back up
with Churchmouse and made for the wake at the Marriott. Everyone
was gathering on the patio; I snuck off for a brief nap on a lobby sofa, waking
to find the party had moved to me. I rejoined the living and even survived
a margarita at last call. It was a great gathering and I especially
enjoyed chatting with webweaver and artquest, being entertained by
brahmasatan, and watching HeidiHo sitting on the floor with her
laptop, composing the most brilliantly incoherent concert review on
record. Eventually the party broke up, and we drove back to our hotel for some
much-needed sleep.
The
next morning we had breakfast with couchtomato, who taught us how to lie
convincingly to our families about our Clack addictions. We met more Clay
fans and snatched the last three copies of the fabulous local review of The Clay
Show. We returned to our room, sorted through the debris of what -- only
twenty-seven hours? How could we make this big a mess? -- and were packed and on
our way by 9:30.
To
avoid another abduction scenario, I agreed to only drive a short way. We
had a safe and unremarkable trip home (OK, I'm leaving out a little about
getting onto 99 instead of I-5 and the fifty-mile detour, but hey, it's my
story). Churchmouse and I took Sue home and allowed her
husband and sons to sniff us thoroughly and pat us down for drugs and
guns. We passed the test; at least they didn't call the cops. We
said our goodbyes, and at my house Churchmouse joined me and Mr. Spot
for a barbecue he graciously cooked. No, I don't deserve him; why do you
ask?
It
was a fitting finale to a wonderful summer. I wouldn't trade it for
anything. Even for an hour with Clay.
Now, a MONTH with Clay, in a
beach house on Maui....aw, heck no. I mean, sex, is just SEX, y'know?
The PRoC is FOREVER! Are you buying this? I didn't think so.
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