Finally after a long pause, the
music starts again, the lights come up, and the screaming starts as Clay
reappears in an outfit that is so wrong, I don’t know where to start.
He is wearing a sleeveless Pacers jersey. Over a white long-sleeved dress shirt. Over a white T-shirt. Over
gawd knows how many layers under that. The combination looks ridiculous. We don't get to see arm hair. Why does he DO this to us?
He talks a little, I couldn’t
hear much but he introduces “Invisible” and starts to sing.
It was great, he moved around a lot and sang it well, but it was nothing
like the St. Paul video clip. No clutching, no sexy moves.
Partly the outfit was to blame, because it wasn’t nice and loose for
him to move around in; but I think he just didn’t have much energy.
He seemed to me to be on autopilot for much of the night, and others in
our group agreed about that afterward. I can hardly blame him; concerts Tuesday
and Wednesday night, a flight to LA and a 16-hour video shoot, a flight back to
Columbus and a show Friday night, and now here to Indy.
He sounded great except for one spot.
Just after the electronic-enhancement on “Wait – I already am”, I
don’t think they got the sound board reset properly because as he sang the
next couple of phrases he sounded a little like Daffy Duck.
Finally they seemed to get it resolved.
Or maybe it was just the well I was in. The song is fantastic and will no doubt be a big hit.
Sounding like a racetrack
announcer, Clay introduced Ruben for "Frying Wings", and
I took another nap and checked my camera. Ruben
sounded good. Zzzzzzz.
He also sounded good on "Imagine".
Zzzzzz.
Clay comes back on in a
black shirt and the show ends with GBTUSA.
Several people have observed that Clay doesn’t sing along during
part of this, and this was true. I
don’t know if he’s just resting or enjoying watching the crowd, but it seems
to be a regular part of the act. At
one point Clay and some others hold their microphones out toward the
crowd encouraging them to sing. Then they all finish up the song, the fireworks
go off (right over their HEADS!), they all wave goodbye and it’s over.
Clay looked very tired at the end.
Random
Thoughts
How can I describe Clay?
Every word we’ve ever used or heard is true. Beautiful. Magical.
Mystical. Ethereal.
Elfin. Radiant.
Sensual. Magnetic.
Glowing. Mesmerizing.
I also now understand why some people don’t like his looks or insist
that he is gay. There is
something….other-worldly about the way he looks, perhaps this is what Gladys
Knight meant. His physical
proportions – tall and thin, long limbs, large hands and feet – and his pale
skin, spiky hair, and piercing eyes all create this illusion that he is not
quite human, but some magical, extraordinary creature from a mythological realm. When he was in the spotlight, he seemed to have an aura that
made the others fade into the background. I
think he had an off night in Indy; his energy level didn’t at all match some
of the TV shows and the bootleg “Invisible” clip.
But he’s such a big talent that if you’d never seen him anywhere
else, you wouldn’t know that. I
never took my eyes off him, and when he wasn’t in the light you could really
see his energy and the performer's "mask" drop off significantly, so he was
working hard to keep going. I
have one photo of him fiddling with his earpiece and his face looks very dead. This
is the tough thing about touring, a performer can’t possibly be in top form
every single night at this grueling pace. And
so it was on this night.
I was a bit disappointed that I
could hardly hear him sing at all, but I had half expected it, so I wasn’t
totally surprised. I thought it
would be due to screaming, but our seats were apparently in a real “dead
spot” for the sound system. Except
for the bass, of course. NEXT time, I’m getting seats further back!
Overall, I must say that the
show is incredibly cheesy and I can’t fault the bad newspaper reviews.
I would never go to see something like this but for Clay.
He’s already transcended AI and cheese and now we are just all waiting
for him to move on to his record-breaking album and his solo tour and his twelve
Grammys and who knows what else.
Glow sticks: I saw some,
but frankly they are very small and weak. There
is a lot of light in the whole arena, the performers are blinded in the stage
lights, and I doubt that anyone can see them. Red shirts are probably a
better bet.
Fan reaction:
there is no doubt whatsoever who the people are there to see.
No one EVER sat down when Clay was performing.
The level of screaming was incredible.
I remember after one of his songs he had to wait and wait and wait for it
to calm down, he kept trying to talk and couldn’t,
and he just had this bemused and abashed look on his face.
He loves it, but I think it embarrasses him and he doesn’t really like
taking all the attention away from Ruben and the others.
Someone mentioned on one of the boards that Clay's introductions for Ruben
have a bit of urgency to them, like he's trying to convince the crowd to
cheer. When Ruben came out, people would give a big cheer
for a few seconds and then sit down. A
few people here and there in the front rows stood during Ruben’s songs,
but not many.
Afterglow
The Indy group returned to the
restaurant and shared pictures and stories.
Brandilyne had her videotape confiscated by a security guard, so
no video from us for Indy. controversy
showed up late and there was much squealing as she shared her story and her
fantastic picture with Clay. Gradually
people drifted away in ones and twos and promised to meet again someday in
Vegas, baby! For me, the concert
was the smallest part of the experience and I most enjoyed connecting with all
these wonderful women who are all Clayzy and who understand how I feel (if not
why – who does?).
Aftermath
On the plane home, I popped my
Clay CD in the player, put on the headphones – and started to cry.
I had to stop listening to it. The
only other one I brought wasn’t much help, as John Denver singing “Leavin’
on a Jet Plane” didn’t really improve my mood.
This is when the Claybee’s-not-ours-anymore blues hit me.
Partly I was exhausted and depressed that my adventure was over so soon,
but having seen him in person really changed something for me.
When he was geeky-Atlanta-Clay / hurlface-wildcard-Clay /
vulnerable-to-Simon-Clay, we really believed there was something we could do to
help him. Now he’s on his way to a future so vast we can’t even
imagine it, and all we can do is spend our money on anything he touches.
I’ve never raised a child, but I imagine this must be like the feeling
you have when you see them grow up and leave.
It just usually doesn’t happen in six months’ time, and usually you
get to at least meet them first.
Postscript
An e-mail I received today:
Hi!
How are you? Fine I hope. I hope that you made it home safely. We came
home yesterday. It was a long drive. We were the ones sitting behind you in the
red shirts. We had a really good time and we got to meet Clay and get a
hug. We were eating dinner at Steak n steak and he Carmon and Rickie came in
there. I was so shocked. I thanked him for everything that he done and for all
the people that he has brought together. He signed our tickets we didnt have a
camera though because we had met him earlier when when they left by the buses he
came out and touched our hands. We are still in owe. He is so humble. So nice.
His Mom did such a great job.
WAAAAAHHH!
Why am I NEVER in the right place at the right time?!?!?!
I’ve GOT to find another
concert to go to. Soon. It's
never going to end, is it?